I am. I am very welcome indeed. |
For this review, I feel the good/bad/meh approach might work better than a straightforward series of paragraphs, as it'll allow be to quickly dissect all the things I like and dislike.
Original concept art. There's a disturbing lack of Chris Pratt or Diesel-y Groot. |
THE BAD
- Ronan
This guy |
- Pacing
It takes a while for GUARDIANS to jump into high gear. It opens with a sad and wonderful (almost Pixar-esque) scene where a young Peter Quill has to deal with the death of his mother on 1988 Earth, only to be hastily abducted by Yondu's crew of Ravagers for space places unknown. It then gives us a cool sequence where we see the older Quill go about his goofy theft of the McGuffin Orb. Once the movie goes outside Quill's orbit, however, things get a bit trickier. We are immediately thrown into this conflict between the Xandarians and the Kree, and we must immediately jump aboard Ronan's ship and learn about his dealings with Thanos and his daughters very rapidly. The movie moves at a fast clip all the way through the rest of the first act, before reaching a bit of a lull during the second, before kicking into high gear again for the final battle. The final 45 minutes of the movie are perfect and outstanding, giving us all the cosmic Marvel weirdness we ever could've asked for, it just takes an uneven 75 to get there. There's plenty of great scenes in the first two acts (the street chase between Gamora, Rocket, Groot, and Quill, the prison sequence), but it doesn't coalesce as well as the end of the movie does. GUARDIANS has a whole new universe to establish, essentially, in a fraction of the runtime that the rest of the Marvel universe has had, and it struggles initially to bring everything together. Once everything clicks together over halfway through the movie, however, it works like gangbusters.
- Score
Now, Tyler Bates' score is nearly as bad as Henry Jackman's incomprehensible gurgling from CAPTAIN AMERICA: THE WINTER SOLDIER (the only real glaring weakpoint of that movie). But nor does it ascend to the heights of Brian Tyler or Alan Silvestri's Marvel scores. It has a definable, soaring theme, yes, but not much else. Most of the action music sounds much like stuff we've all heard before.
- Occasional CGI Overload
This may have been inevitable in a space adventure movie, but there are a few moments in GUARDIANS where the CGI can begin to overload your brain. It never reaches the cartoon world of the HOBBIT movies, but certain characters (*cough cough THANOS*) would have benefitted from a bit more of a grounding in reality, and the space battles could've used a bit less minutiae (there are bits at the end that reminded me unpleasantly of the opening of REVENGE OF THE SITH, only slightly less intrusive).
Thankfully, that's it for the bad. On to the meh!
THE MEH
- Gamora
*Not in the movie |
- Nebula
"I might be key to the universe one day, but for now I'm just here!" |
- Thanos
I AM THE PORTENT OF DOOM, here to kick ass, chew gum, and fuck Death. |
- The Collector
This fucking guy |
Guess, that's about it for the "meh", then. Now on to the good (REALLY GOOD) stuff.
THE GOOD/FUCKING AWESOME
- Drax
The best picture that I could find. |
Based on the promos for the movie, as well as the casting of former WWE guy Dave Bautista, I expected Drax to be little more than the group heavy. HOLY SHIT was I wrong. Shockingly, Drax almost ends up stealing the whole damn movie, with his inability to understand subtlety or metaphor played up to maximum comedic effect. Bautista is perfect, too. His little glances are fantastic, as is his ever-deadpan line delivery. He takes this literal brute of a guy and manages to make him feel almost soulful. ("Quill, you are my friend. This dumb tree stump, he is my friend. This green whore, she is-". "Nothing goes over my head. My reflexes are too fast, I would catch it".)
- Rocket
The most real hysterical laugh of his entire life. |
Unlike Drax, Rocket had sky-high expectations, and he met them. This little raccoon has the most personality by far out of anyone in the movie, and Bradley Cooper modulates his voice so well that you can't even tell it's him. Watching a two-leg-walking talking raccoon get drunk and threaten a green Dave Bautista with a gun is one the best things ever, as is his penchant for getting people to remove prosthetic body parts for LOLZ. Rocket and Groot's relationship is the soul of the movie, as well, with no other pairing feeling as deep or heartfelt. When Rocket screams "YOU KILLED GROOT" at Ronan, it takes a scene that could have been goofy and makes it almost genuinely heartbreaking.
- Groot
"We are Groot". *Entire audience bursts into tears* |
Say hello to the heart of the movie. Like his Iron Giant, Vin Diesel takes a character with not a ton to say, and gives him a real soul. Gunn gets a ridiculous amount of mileage out of making comedic situations from "I am Groot", the character's weird abilities never cease to amaze or amuse, and his smiles could melt any cold hearted bastard. Also, little Groot dancing at the end is AMAZING.
- Star-Lord
"STAR-LORD!!!!". "Finally..." |
None of this movie would've worked without Peter Quill, and Peter Quill wouldn't have worked without Chris Pratt. Pratt gets his career-making role here, with all the bravado of Han Solo and the goofy, lunkheaded charm we've come to expect from him on PARKS AND RECREATION. Though the movie has five main characters, Quill is the key that makes the rest of them work, and Pratt knows how to handle him. Quill comes off as bold and brave, but also as kind of an idiot who needs to be kept in check. All of the Guardians complement each other. Apart, they were a bunch of misfits. Together, as Ronan said it bitch, "they're the Guardians of the Galaxy". And Star-Lord is the lynchpin.
- James Gunn
There was no other writer/director as suited to this material as Gunn, and here, he fully makes the Marvel Cinematic Universe his own. Like Gunn's other movies, the main character is a misfit manchild who can't move beyond a critical event in his past (Rainn Wilson couldn't deal with his wife leaving him in SUPER, just as Quill can't accept his mother's death), and Gunn executes that material just as beautifully here. From the quirky humor, to the gonzo wonderful soundtrack, it's the most auteur expression in the Marvel universe since Shane Black's IRON MAN THREE.
- Soundtrack
Where Bates' score fails, the soundtrack succeeds beyond wildest dreams. From the "Hooked on a Feeling" introduced in the first trailer, to the rocking "Cherry Bomb", to wonderfully cathartic appearance of "Ain't No Mountain High Enough" at the end (second successful deployment of Marvin Gaye in a Marvel movie in a row, BTW), it's just fantastic, and unlike some other superhero soundtracks (*cough cough PRINCE BATMAN*), the songs are successfully deployed in the movie.
- Third Act
The third act of this movie reinforces how far Marvel's come in its willingness to go all out in a movie's climax. Nine movies ago, a robot-suited Jeff Bridges was throwing cars at Tony Stark on an LA freeway. Four movies ago, Tony Stark threw a nuke at some aliens. And now, loads of alien ships are firing at each other on an alien planet while our heroes infiltrate the enemy spacecraft and Rocket is flying around like a bat outta hell. The scale has most decidedly been upped. Presumably, next year's AVENGERS: AGE OF ULTRON will up it again.
- Howard the Duck
Unrelated to the George Lucas abomination |
FUCK. YES.
GUARDIANS OF THE GALAXY gets an 8.5 out of 10.
Phase Two is almost over. AVENGERS: AGE OF ULTRON opens May 1.
It looks OK... |
Current Marvel Movie Rankings:
1. THE AVENGERS
2. CAPTAIN AMERICA: THE WINTER SOLDIER
3. IRON MAN THREE
4. GUARDIANS OF THE GALAXY
5. IRON MAN
6. CAPTAIN AMERICA: THE FIRST AVENGER
7. THOR: THE DARK WORLD
8. THOR
9. THE INCREDIBLE HULK
10. IRON MAN 2
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